Worstward Ho,
it seems, can be summarized, if at all (and feebly, admittedly) by:
“The void. How try say? How try fail? No try no fail. Say
only-“
The text is riddled with longing, incompletion, and
immobility, through fragments of thought. There does not seem to be one
concrete formation of a thought even by the end of the piece, rather it acts
more of a summary of thought in general – exploring the parameters of thought itself,
which seem to be unending. I know it sounds clumsy, or ‘missaid’ as an
analysis, but it would almost seem that any analysis of such a unorthodox text
as this, must be at least ‘missaid’ if not completely irrational in its
explanation in order to garner some sort of truth.
The initial quote above I take to be somewhat of a thesis statement of the piece. It seems
as though through the rest of the text he is trying to (im)properly define ‘the
void’ which I think shares many properties with the inner workings of the mind.
Though the void cannot be properly defined as the mind. I think that by this
quote Beckett is trying to say that perhaps in setting out on the task to
define what the void is (which could be any facet of reality or unreality, or
any space/non-space in-between) the person is setting off into an exercise in
futility. So Beckett’s attempt to define the void is instead a show of how the
void cannot be defined. As he says, ‘no try no fail’ which is to say that ‘to
try is to fail’. Than, ‘Say only-‘ it is after this, in the next paragraph,
that he gives us a subject: “First the bones”. But I do not think that these
are related matters, only that they should seem to be related matters. “Say
only-“ is the end… it is the realization that there is nothing that can be
said, or anything to be said of importance that can contribute to such an
indiscernible idea. Though there is always something to succeed it – an idea
such as the void – though related, they may not be.
But
the idea is getting away from me. Moving on to another of the same on a
previous page. “All of old. Nothing else ever. Ever tried. Ever failed. No
matter. Try again. Fail again. Fail better.” This quote seems to me a relative
of the previous. They both try to illustrate the same concept. But it is not in
this that I wish to find meaning or relation. It is what succeeds it that I
find to be relative to the beginning quote. This too, is succeeded by a
subject, without any transition the text moves on to a subject with no
introduction. “First the body. No. First the place. No. First both. Now either.
Now the other.” This is Beckett’s trial. He ‘try’s’ just by enlightening us to
a subject, a form. Which is ‘where it begins’ but what exactly is ‘it’ that has
begun… well, that I believe to be one aspect of the void in which he is (failing)
to describe. In failing to begin though, as he is indecisive as to where he
plans on beginning (either body or place {or both}) he discovers a way to
formulate the parameters of the void…without even addressing it. By not
addressing the thing that cannot be addressed Beckett has formulated a
discourse that in fact betters the readers understanding on exactly that which
cannot be defined or addressed without failure… and succeeds?